Stephen Hall appeared at HMT in Monty Python’s Spamalot, playing the roles of four different characters. HMT asked him which was his favourite character to perform, and why…
Stephen Hall: Well, the French Taunter gets to be rude in the outrageous accent, Tim the Enchanter get to fly, and the Knight of Ni has a fish in his pocket. But Lancelot is the most well rounded character, with a definitive and challenging journey. So the answer to your question is definitely Tim.
SH: No – I just click from one to the other, like changing gears in a car. And the costumes tend to serve as a subtle reminder…
SH: A little bit. I am a Python tragic, so I’ve known these lines for 25 years or so, too. I read an interview with John Cleese where he said that if, in the Python shows, they ever forgot their lines, they could be sure that the audience members would prompt. I suppose it’s comforting, in a strange way. In the Lancelot and Concorde scene, when Lancelot is searching for the word ‘idiom’ I’ve heard audience members say “idiom”.
SH: It’s not just a homage to ‘Monty Python and the Holy Grail’ – Eric Idle has very cleverly updated and augmented the story. There are great jokes about musical theatre, there are topical gags, and there are even two romantic subplots that weren’t in the original! And the gags come so thick and fast, that if you don’t like one, you can be assured that another one will be a long in a couple of seconds.
SH: It was an incredibly exciting experience. I did as much preparation as I could, and it was very rewarding (and yet still somewhat surprising) when everything panned out the way I hoped it would. In terms of changing my life, obviously it was a real financial help to me family (and our mortgage!), and I was really surprised and delighted at the outpouring of genuine good wishes and congratulations. Very humbling.
SH: Both, really. I always thought that I should have as many strings to my bow as possible, in an industry as precarious as this. I’ve always tried to turn my hand to many different types of performing and writing. And as the time passes, I find there are more and more types of performing I want to do, and more and more stories I want to tell. After all it’s a big world, and we’re only here once!
February 2008